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And you know, spray on sunblock and mosquito spray,” she says, painting a picture of her surrounded by a bevy of queer men laughing and lathering lotion on one another.Ī stand-up comic and actress, Cho kick-started her career in the early ’90s, appearing on The Golden Girls spin-off The Golden Palace and her own series All-American Girl, which, ahead of its time, featured a primarily Asian leading cast. It was so great to just hang with everyone by the pool. “We got so close like a family when we were shooting on Fire Island. Shooting the film during the pandemic in the summer of 2021 amid two hurricanes and cold weather - while the men were mostly shivering in their Speedos - strengthened their bonds further. And that’s what sort of makes our bonds strong,” Cho says. “I can claim that they really are my children and my grandchildren.
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But the dynamic within the film is rooted in the off-screen chosen family they’ve made. A leader for queer Asian visibility in comedy, Cho plays a mother figure of sorts to Noah and his lost boys onscreen. Banished from the lesbian enclave of Cherry Grove for reasons that may include arson and a bad breakup (although not necessarily related), Erin owns the home where Noah, Howie, and their friends have gathered each summer for years. Indeed, Cho’s lesbian character Erin is the doyenne of queers in the film that stars Booster as Noah, a handsome young gay man who dons his Pride and Prejudice Elizabeth Bennet persona and sidelines his Fire Island hook-up plans until he helps his friend Howie (Bowen Yang) get laid.
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“Do I get to be their guest?” she self-queried, perhaps picturing a dramatic entrance in a wide-brimmed hat. When veteran comic Margaret Cho was approached for the rom-com Fire Island - from writer Joel Kim Booster and director Andrew Ahn, with a cast of queer Asian men - she was proud to lean into what she calls her “Joan Collins phase.”